Event Collections

Join Natallia Kapylova, renowned pianist and celebrated performer, for an evening dedicated to the timeless works of J.S. Bach. This recital, taking place on 25th January, showcases Bach’s unparalleled genius through a thoughtfully curated program:

J S Bach: Five Preludes

J S Bach/A Siloti: Four Preludes

J S Bach: Preludes and Fugues in D Major and E flat minor

J S Bach (after Marcello): Concerto in D minor

J S Bach/F Busoni: Chaconne

Natallia Kapylova is a Belarus-born musician who has made India her home since 2002. She began playing piano at age 7 and pursued professional music education for 17 years. Her musical background includes graduating from Belarus Conservatory, extensive concert tours, and experimenting with diverse genres. Now based in Bangalore, Natallia shares her passion through performances and teaching.

Don’t miss this captivating recital, blending technical mastery and heartfelt artistry as Natallia brings Bach’s legacy to life. Reserve your seats now for an unforgettable evening!

One park. Three men. Three Benches and yet not enough space for all. Manav Kaul's "Park" delves into the complicated relationship of humans with space. Who has the better right on the space? The ones who need it for convenience or the ones who have a history associated or the ones who actually occupy it now? Why are men ready to wage wars for a mere piece of land? Is it a matter of power, history, pride or just plain greed?

Through the lens of the park, Manav Kaul offers a commentary on the human condition, prompting the audience to reflect on their own lives and relationships.

Aavirbhaav Naatya Manch presents a play that takes place in a seemingly ordinary setting – a PARK – but transcends the mundane as it delves into the complexities of the characters' lives.

One park. Three men. Three Benches and yet not enough space for all. Manav Kaul's "Park" delves into the complicated relationship of humans with space. Who has the better right on the space? The ones who need it for convenience or the ones who have a history associated or the ones who actually occupy it now? Why are men ready to wage wars for a mere piece of land? Is it a matter of power, history, pride or just plain greed?

Through the lens of the park, Manav Kaul offers a commentary on the human condition, prompting the audience to reflect on their own lives and relationships.

Aavirbhaav Naatya Manch presents a play that takes place in a seemingly ordinary setting – a PARK – but transcends the mundane as it delves into the complexities of the characters' lives.

"I Wasn’t Born Confused" is a humorous exploration of why many young people today feel uncertain about marriage. It delves into how past conditioning—shaped by parents, family, and societal influences—plays a pivotal role in creating this confusion. Through the relatable journeys of Aarya, Khushi, and Tanvi, the play captures the experiences of modern youth who are either hesitant about marriage or conflicted about the decision.

The story humorously portrays Aarya's dilemmas as he navigates meetings with two potential matches for marriage. Armed with a compatibility checklist (yes, you’ll hear about it often in the play!), he attempts to assess every possible factor. The situation becomes increasingly chaotic as family involvement complicates matters, leading him to the brink of losing both women despite multiple meetings. Through candid conversations with a friend, Aarya begins to reflect on his approach, sparking moments of introspection and revelation.

The play cleverly unpacks the numerous compatibility factors that preoccupy today’s young adults when contemplating marriage. It examines how societal conditioning shapes these factors, creating hurdles in decision-making. The challenges of dual-career dynamics, personal ambitions, mutual expectations, and the pressure to secure a "perfect" future further complicate matters. Adding to this complexity is the role of family interventions. The play raises essential questions: How can one unlearn societal norms to build genuine, nurturing relationships? And how does one rediscover that love—often overlooked—is the most vital ingredient in marriage?

"I Wasn’t Born Confused" is a humorous exploration of why many young people today feel uncertain about marriage. It delves into how past conditioning—shaped by parents, family, and societal influences—plays a pivotal role in creating this confusion. Through the relatable journeys of Aarya, Khushi, and Tanvi, the play captures the experiences of modern youth who are either hesitant about marriage or conflicted about the decision.

The story humorously portrays Aarya's dilemmas as he navigates meetings with two potential matches for marriage. Armed with a compatibility checklist (yes, you’ll hear about it often in the play!), he attempts to assess every possible factor. The situation becomes increasingly chaotic as family involvement complicates matters, leading him to the brink of losing both women despite multiple meetings. Through candid conversations with a friend, Aarya begins to reflect on his approach, sparking moments of introspection and revelation.

The play cleverly unpacks the numerous compatibility factors that preoccupy today’s young adults when contemplating marriage. It examines how societal conditioning shapes these factors, creating hurdles in decision-making. The challenges of dual-career dynamics, personal ambitions, mutual expectations, and the pressure to secure a "perfect" future further complicate matters. Adding to this complexity is the role of family interventions. The play raises essential questions: How can one unlearn societal norms to build genuine, nurturing relationships? And how does one rediscover that love—often overlooked—is the most vital ingredient in marriage?

"I Wasn’t Born Confused" is a humorous exploration of why many young people today feel uncertain about marriage. It delves into how past conditioning—shaped by parents, family, and societal influences—plays a pivotal role in creating this confusion. Through the relatable journeys of Aarya, Khushi, and Tanvi, the play captures the experiences of modern youth who are either hesitant about marriage or conflicted about the decision.

The story humorously portrays Aarya's dilemmas as he navigates meetings with two potential matches for marriage. Armed with a compatibility checklist (yes, you’ll hear about it often in the play!), he attempts to assess every possible factor. The situation becomes increasingly chaotic as family involvement complicates matters, leading him to the brink of losing both women despite multiple meetings. Through candid conversations with a friend, Aarya begins to reflect on his approach, sparking moments of introspection and revelation.

The play cleverly unpacks the numerous compatibility factors that preoccupy today’s young adults when contemplating marriage. It examines how societal conditioning shapes these factors, creating hurdles in decision-making. The challenges of dual-career dynamics, personal ambitions, mutual expectations, and the pressure to secure a "perfect" future further complicate matters. Adding to this complexity is the role of family interventions. The play raises essential questions: How can one unlearn societal norms to build genuine, nurturing relationships? And how does one rediscover that love—often overlooked—is the most vital ingredient in marriage?

Get ready for a wild, hilarious ride as Shakespeare’s most iconic characters are thrown into a chaotic, witty world that no one saw coming! “Shakespeare in the Wrong Hands” takes the timeless tales of love, power, tragedy, and betrayal and flips them upside down.

In this fast-paced comedy, Shakespeare’s beloved characters find themselves in absurd predicaments, clashing with modern sensibilities and each other. Watch as love gets complicated, rivalries reignite, and dramatic encounters unravel into pure comedy.

But don’t think you know how the story ends—this play keeps you on your toes, delivering laugh-out-loud moments, clever dialogue, and a finale you won’t forget. Whether you’re a die-hard Shakespeare fan or new to the Bard’s works, this play promises to entertain, surprise, and leave you wanting more!

Catch “Shakespeare in the Wrong Hands”, where classic meets comedy, and Shakespearean tragedy turns into triumph… but with a twist!

Directed and Designed by Omkar Kibe, a Theatre Practitioner with over 15 years experience and an alumnus of National School of Drama (NSD), New Delhi and Ninasam Theatre Institute (NTI), Heggodu, Karnataka.

Get ready for a wild, hilarious ride as Shakespeare’s most iconic characters are thrown into a chaotic, witty world that no one saw coming! “Shakespeare in the Wrong Hands” takes the timeless tales of love, power, tragedy, and betrayal and flips them upside down.

In this fast-paced comedy, Shakespeare’s beloved characters find themselves in absurd predicaments, clashing with modern sensibilities and each other. Watch as love gets complicated, rivalries reignite, and dramatic encounters unravel into pure comedy.

But don’t think you know how the story ends—this play keeps you on your toes, delivering laugh-out-loud moments, clever dialogue, and a finale you won’t forget. Whether you’re a die-hard Shakespeare fan or new to the Bard’s works, this play promises to entertain, surprise, and leave you wanting more!

Catch “Shakespeare in the Wrong Hands”, where classic meets comedy, and Shakespearean tragedy turns into triumph… but with a twist!

Directed and Designed by Omkar Kibe, a Theatre Practitioner with over 15 years experience and an alumnus of National School of Drama (NSD), New Delhi and Ninasam Theatre Institute (NTI), Heggodu, Karnataka.

An exclusive Live Ghazal Concert to commemorate the contribution of Legendary Ghazal Singers Sri Jagjit Singh & Chitra Singh ji, on the occasion of 83rd birth anniversary of Sri Jagjit Singh ji.

The show is a tribute concert and will be performed by a team of eminent singers and musicians from the music fraternity.

Yogi Mattu Bhogi is a free adaptation of the 7th-century play, Bhagavadajjukam (Sanskrit, ‘bhagavat’ - hermit; ‘ajjuka’ - harlot), also known in English as The Ascetic and The Courtesan. One of the oldest surviving plays in Sanskrit literature, it is a fine example of a `prahasana`, or farce. Layered in witty exchanges about dharma, it is centered around the transmigration of souls between the two titular characters leading to confusion and chaos for the supporting characters who have no answer to the absurdity of it all.

Through this retelling in Kannada, Mahesh Dattani, plays around with the idea of gender: its expression, perception, spectrum and the exploration of what one truly is with a confrontation of stereotypes using humour and catharsis. Infused with Yakshagana, the play comes alive when the classic Sanskrit text and the physicality of theatre gels seamlessly with the traditional dance theatre form from coastal Karnataka.

Yogi Mattu Bhogi is a free adaptation of the 7th-century play, Bhagavadajjukam (Sanskrit, ‘bhagavat’ - hermit; ‘ajjuka’ - harlot), also known in English as The Ascetic and The Courtesan. One of the oldest surviving plays in Sanskrit literature, it is a fine example of a `prahasana`, or farce. Layered in witty exchanges about dharma, it is centered around the transmigration of souls between the two titular characters leading to confusion and chaos for the supporting characters who have no answer to the absurdity of it all.

Through this retelling in Kannada, Mahesh Dattani, plays around with the idea of gender: its expression, perception, spectrum and the exploration of what one truly is with a confrontation of stereotypes using humour and catharsis. Infused with Yakshagana, the play comes alive when the classic Sanskrit text and the physicality of theatre gels seamlessly with the traditional dance theatre form from coastal Karnataka.

A red cardinal, a woodpecker, an ostrich, a vulture, a hummingbird and a phoenix.

The Intergalactic Council, The Karmic Tribunal and The Multidimensional Exchange Office.

An innocent girl, a rebellious teenager and a free adult.

This work is a self-fictional true story. A multidisciplinary one woman show.

An absurd and crude tale.

A tragicomic piece, that transports us to the darkest depths of the human existence, in a cathartic and light journey at the same time, to question ourselves, to tear ourselves apart through play.

And to return us to the Origin, healthier and saner than ever.

Behind the dark veil of secrecy, the TRUTH is hidden.

The truth that tears apart, the truth that transforms everything.

The truth that reveals only more truth.

No one finishes the flight of Birds or the Tale of When I Came Down to Earthas they began it, because no one can escape the transmuting fire of the Phoenix.

Three friends tight as a pack. And then what happens when "love"breaches the bro-code? This musical play explores the complex interplay between loyalty and love, ultimately questioning whether friendship can endure or if love will redefine their relationships.

Three friends tight as a pack. And then what happens when "love"breaches the bro-code? This musical play explores the complex interplay between loyalty and love, ultimately questioning whether friendship can endure or if love will redefine their relationships.

Three friends tight as a pack. And then what happens when "love"breaches the bro-code? This musical play explores the complex interplay between loyalty and love, ultimately questioning whether friendship can endure or if love will redefine their relationships.

Three friends tight as a pack. And then what happens when "love"breaches the bro-code? This musical play explores the complex interplay between loyalty and love, ultimately questioning whether friendship can endure or if love will redefine their relationships.

Three friends tight as a pack. And then what happens when "love"breaches the bro-code? This musical play explores the complex interplay between loyalty and love, ultimately questioning whether friendship can endure or if love will redefine their relationships.

An actor auditions for the role of Hamlet, which was supposed to be played by a veteran, who has walked out last minute. The whole cast is ready and the play is scheduled to be staged very soon. Will he be able to get into the skin of the character?

HAMLET Ya Nahi?` is a Hindi play based on Richard James`s writings. The play is dark, very dark!

This content contains abusive language and violence on stage, it is strictly for 18+.

An unmarried couple bumps into an Agent of a corporate organization, who makes them an offer they cannot reject. Octopus Limited Estd. 2024 is an adaptation of the renowned Bengali playwright, Mohit Chattopadhyay`s play, Octopus Limited. The play is a satirical take on capitalism and its deep roots in our society and minds.

An unmarried couple bumps into an Agent of a corporate organization, who makes them an offer they cannot reject. Octopus Limited Estd. 2024 is an adaptation of the renowned Bengali playwright, Mohit Chattopadhyay`s play, Octopus Limited. The play is a satirical take on capitalism and its deep roots in our society and minds.