GUILT is a psychological thriller that explores the complexities of human relationships—marriage, friendship, love, and betrayal—and the heavy impact of guilt. The story unfolds through two timelines: one showing the younger versions of the characters, and the other their older selves. This dual perspective raises questions about time, memory, and whether their paths ever truly cross.

The drama focuses on how guilt, both conscious and subconscious, shapes the characters' decisions, leading them down unpredictable and often destructive paths. It dives deep into how past actions, even those buried in the mind, can haunt and control the present.

The drama examines how guilt, both consciously and subconsciously, influences the characters’ actions and decisions, leading them down paths they never intended.

GUILT is a psychological thriller that explores the complexities of human relationships—marriage, friendship, love, and betrayal—and the heavy impact of guilt. The story unfolds through two timelines: one showing the younger versions of the characters, and the other their older selves. This dual perspective raises questions about time, memory, and whether their paths ever truly cross.

The drama focuses on how guilt, both conscious and subconscious, shapes the characters' decisions, leading them down unpredictable and often destructive paths. It dives deep into how past actions, even those buried in the mind, can haunt and control the present.

The drama examines how guilt, both consciously and subconsciously, influences the characters’ actions and decisions, leading them down paths they never intended.

"Yagyaseni – The Ultimate Oblation" is inspired by Gyanpeeth awardee Dr. Pratibha Ray's novel Yagyaseni.

Born from the sacred flames of a yagya (sacrificial fire), Draupadi ultimately offers her deepest emotions—those of a daughter, wife, mother, and, most importantly, a woman—as the final aahuti (oblation) to invoke the Lord of Dharma. Her journey is one of immense emotional upheaval, yet she endures with unwavering resilience. Through her trials, she expands beyond the personal, shedding the self in pursuit of a higher truth—the establishment of dharma.

If the Mahabharata is a grand Dharmayagya, Draupadi is its ultimate offering—her brilliance transcending mortality and merging into divinity.

At the heart of this exploration is Draupadi’s profound and spiritual bond with Krishna, a relationship that serves as her guiding force. Their connection, rooted in wisdom and trust, shapes her choices, fortifies her spirit, and ultimately leads her toward transcendence.

When the belief of an artist takes a setback, he becomes a rebel. An artistic rebel either burns itself down or turns the world around.

Bilawal, a 34-year-old musician, sings at a BARGADH ka PEDH (a banyan tree) that is considered sacred by the villagers. And so was the music of Bilawal, sacred. While one part of the village accepted this, the other part questioned this belief. Just when Bilawal thinks he shouldn't pay heed to such opinions, an incident in Bilawal`s life and his inability to get past it, makes him join the villagers to question his own beliefs. In the quest to find answers for his questions, Bilawal is on the edge of losing everything and everybody around him. And at this point he meets an unusual soul that nobody has seen before, nobody knows where he comes from and why he does everything that he does. Will the artist turned into a rebel, Bilawal, burn himself down or will this unusual soul make him turn the world around?

Sapan turned 35, became a father and also got high in Amsterdam - all within a year, but not particularly in that order.

He is cruising through life with mental burnout, a needless sense of superiority over Gen-Z and of course, chronic lower back pain.

Come, watch him have a meltdown on stage, and feel better about your own life.

Audiences have called this show "hilarious", "so fresh and likeable" and "where are we going for dinner now" according to Sapan who has been hearing these people from behind the curtains as they leave after the show.

Get your tickets for a hilarious new hour of standup comedy before they sell out as he becomes insanely famous and inaccessible - a mild threat he`s been using since 2011.

Sapan turned 35, became a father and also got high in Amsterdam - all within a year, but not particularly in that order.

He is cruising through life with mental burnout, a needless sense of superiority over Gen-Z and of course, chronic lower back pain.

Come, watch him have a meltdown on stage, and feel better about your own life.

Audiences have called this show "hilarious", "so fresh and likeable" and "where are we going for dinner now" according to Sapan who has been hearing these people from behind the curtains as they leave after the show.

Get your tickets for a hilarious new hour of standup comedy before they sell out as he becomes insanely famous and inaccessible - a mild threat he`s been using since 2011.

Manav and Satya were the epitome of love until their life was thrown into an abyss. Suddenly Manav finds himself bound to a wheelchair, fighting his inner demons, barely hanging on to the fragments of their love. Satya on the other hand is a woman of unbelievable strength, who has unshakable faith in the depth of their love. On the brink of implosion Manav connects with a mysterious wrong number. An intervention that compels Manav to make a decision. A decision that leads to the end of two lives.

Manav and Satya were the epitome of love until their life was thrown into an abyss. Suddenly Manav finds himself bound to a wheelchair, fighting his inner demons, barely hanging on to the fragments of their love. Satya on the other hand is a woman of unbelievable strength, who has unshakable faith in the depth of their love. On the brink of implosion Manav connects with a mysterious wrong number. An intervention that compels Manav to make a decision. A decision that leads to the end of two lives.

Red Dress Waali Ladki is a solo, dance- theatre piece.

It is a devised work using guttural movement, physical imagery, real stories and text in a bare and raw stage scenario.

The work investigates the fear we hold as women in our bodies, the physicality of rape and the general sense of horror this brings about.

It confronts the viewer with the sound of bones and flesh hitting the floor juxtaposed with open and displayed sexuality.

The protagonists, a man and a woman, are both waiting for a delayed flight in a small-town airport lounge. The woman provokes the man into conversation, setting of a series of narratives that feature two characters from the Ramayana and the Mahabharata: Shoorpanakha and Shakuni. Their lives and experiences are set in the context of this century, indicating that the stories of power, ambition and revenge span history and myth.

The protagonists, a man and a woman, are both waiting for a delayed flight in a small-town airport lounge. The woman provokes the man into conversation, setting of a series of narratives that feature two characters from the Ramayana and the Mahabharata: Shoorpanakha and Shakuni. Their lives and experiences are set in the context of this century, indicating that the stories of power, ambition and revenge span history and myth.