Natallia & Liudmila will play compositions by Russian romantic composers Tchaikovsky and Mussorgsky, who were each at the pinnacle of two very different schools of thought, about the future of music. The Piano Duo will start the evening with Tchaikovsky's "The Nutkracker " suite for 4 hands, followed by Natallia's solo rendition of October and Dumka. In the second half of program, audience will be presented with Mussorgsky's "Pictures at an Exhibition" (piano solo). The concert will be accompanied by visual images, designed by Iryna Oksiuk, which will complement the musical part of the program. Liudmila Alizarchyk Liudmila has been playing piano from the age of 7 years. She conducted studies in Minsk (Belarus Academy of Music). Liudmila is the founding member and arranger of Trio Belissimo, and was playing as Pianist in the Korean and Western fusion music band for many years. She has been performing classical music in various groups in Belarus, Korea and India, including The Majestic Orchestra and Wind Stream Brass Orchestra (Seoul, Korea), and various chamber ensembles. Liudmila lives in Bangalore where she works as a Music Professor, Piano and Vocal. Natallia K Kapylova Natallia has been hailed as a concert pianist of exceptional, brilliant and dazzling ability. Her career is unique in spanning a huge range of musical settings. Breathtaking displays of classical and jazz masterpieces are stirred with love and passion. Exploration of different genres of music, old and new, is her forte. She commenced her piano training at the age of seven and was under the tutelage of Prof. Yushkevitch at the Belarus State Conservatory where she obtained a highest degree in Classical Piano Performance, Artist of Chamber Ensemble and Concertmaster Diploma. Natallia has worked as a Concertmaster at the Belarus Academy of Music and as a piano teacher at the Belarus College of Arts. She contributes generously of her time and talent to these institutes and the Concert Brigade of Belarus Society of Blind. Ever since she moved to India in 2002 , she has been working with select group of students to prepare them for the various programs, competitions and music examinations such as ABRSM, Trinity Guildhall and LCM , to name a few.Cheap Valium For Sale
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Rukmini Vijayakumar will present a Bharatanatyam Maargam. A classical Margam is the traditional Bharatanatyam sequence of Bharatanatyam choreography set to Carnatic music, following a progression of complexity in music, rhythm and expression. It usually begins with an offering of flowers to the Gods, develops into a purely movement based piece, then it is followed by a Varnam which is the central elaborate piece of a bharatanatyam recital. This concludes the first half of the performance. After this there are one or two pieces that are expressive through “abhinaya”, and the performance ends with a tillana. Rukmini's performance will have a similar structure to the evening. The individual pieces of the evening however are chosen and choreographed a little differently from the traditional format.Valium Online Prescription
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‘Akshayambara’ is an experimental Kannada play that uses both modern theatrical tools and the dance drama form of Yakshagana to create a contemporary narrative that raises questions on female representation and male ownership. The play was developed through the INLAKS Scholarship ’14, supported by the India Foundation for the Arts (IFA) and premiered at the Ranga Shankara Theatre Festival ’15. The play won the best original script and best actor (male) at the Mahindra Excellence in Theatre Awards (META) '16. The play explores the representation of the feminine within the male-dominated practice of Yakshagana. What happens when a woman enters the professional space of a form performed by men for the last 800 years? Drawing from research and personal experience, the performance imagines a reversal of roles in the popular Yakshagana plot of ‘Draupadi Vastrapaharana’. A male artist in streevesha plays the virtuous Draupadi and espouses the cause of a woman, while in a tradition defying move, a woman is cast as the Pradhana Purusha vesha of a Kaurava who is driven by lust and power. What happens to the interpretation of gender when a man plays the streevesha and the purusha vesha is played by a woman? Who is the real woman and who is the real man? When tradition can accept a man as a streevesha can that same tradition accept a woman as a purushavesha? This project is made possible by a grant from India Foundation for the Arts with part support from Voltas Limited.Buy Valium By Roche Online
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The Vaidya's Oath is a theatre project on anti-microbial resistance. Dr. Ajay has been demoted, a punishment transfer from his hospital in Allahabad to a Primary Health Centre in Katkoot, UP. Uma, his wife, is a Bangalore girl. She can't hack Katkoot. Then she finds out she's pregnant. Meanwhile, Kamala, a local girl, has a baby boy ill with sepsis. Can Dr. Ajay cure him? And then there's Rahul, a seismologist who wants to be a stand-up comedian. Will the marriage survive? Will the baby live? Will Rahul get a laugh? Find out in ‘The Vaidya’s Oath’ by Gautam Raja. ‘You, and a lot of people in India, need to learn that money can no longer buy you protection from infection’. ‘You go about the Real India – you can’t handle two hours of the real India without totally losing it’! ‘Rarely does a health crisis come into your living-room like this’. Director’s Note: Antimicrobial resistance (AMR) is a world problem but is especially an Indian one. In a land with more mobile phones than toilets trying to keep AMR at bay is hard. It may seem like someone else’s problem. Try telling that to Kamala and her new-born baby with sepsis… Buy Valium 5 Mg Online
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Jagriti is a Performance Arts space dedicated to Theatre, Music, Dance and Comedy. Founded in 2011 by Arundhati and Jagdish Raja, the space has hosted several productions from India and around the world. A 200-seat theatre, built around a full-thrust stage, it is fully equipped to cater to both artistes and audience. The main stage is designed for intimate performances, with adjoining spaces for informal lectures and gatherings, and an attached restaurant- 'The Fat Chef'. Jagriti is owned and operated by the not-for-profit ART Foundation, a registered charitable trust.
The Rooftop - above the main auditorium is an open-to-sky space with a staging area that can accommodate about 50 people. A raised and walled off platform can work as a perfect area for puppet theatre. The Rooftop has a restroom and a pantry.
The Terrace - alongside the auditorium, the Terrace can accommodate about 20 people as an informal gathering area.
Lumbini - extending out from the foyer, Lumbini has a stage and an open-to-sky terraced space for about 80 people.